Previously, on Jackasses Make Movie:
Rodriguez Rodriguez. Script. Rodriguez Rodriguez Rodriguez, Rodriguez Rodriguez. Shit. Rodriguez. Shevchik. Rodriguez. Shevchik, Rodriguez Rodriguez. Rodriguez!
So, yeah. We had a script. Now we had somewhere to shoot. What we were about to realize, however, was that we had more than just a shooting location. We had a goldmine of Rodriguezness.
Shortly after asking Rich if we could shoot on his property, Tyler and I began talking about casting. Some of the cast members were already set, with parts written specifically for them (see Lights, Camera, Action! What have I gotten myself into? to see how I wrote myself into the movie). But, there were still several other roles that needed actors, specifically members of the Bigfoot expedition. We needed folks who not only could act, but who looked the parts. The first such character was that of Gavin Reynolds, the cryptid expert with years of experience and clout in the Bigfoot community.
As we were talking about what kind of guy we wanted for the part, a crazy thought popped into my jackass mind. What about Rich? He’s a outdoor dude. He’s the smartest guy I know. He’s a natural storyteller. He’s got… a look. Hell, the look. So, I sent Tyler a picture of Rich with the message “This is Gavin.” I don’t recall Tyler’s exact words, but it was something along the lines of “Shit, yeah! See if he’ll do it.”
After reading the script and a talk about acting abilities concerns which I countered with the experience of the cast and a memory-refreshing clip of Badness, Rich agreed. We had our first non-family actor on board and our first unexpected benefit of getting Rich’s location.
But, that wasn’t all. A few weeks later, Tyler and I went to Rich’s property to scope out the land and start picking locations for specific scenes. We arrived on a nice Spring Saturday, armed with script, cameras, and a Google Map printout of the area for reference. Rich met us and we began a 3 hour trek through the wilds of Lebanon.
It was better than we could have imagined. Not only did it have places for the majority of the script locations, and a story behind each from Rich, but there were places that I had forgotten, treasure troves of production value. Things like a rope bridge and an old, abandoned Shaker home which were too good to not include in the fourth draft of the script. And there was Rich’s son, Michael, who is the spitting image of his father, who managed to get worked into the film, as well.That’s right. We were post-Rodriguezing the script! I mean, who wouldn’t jump on the chance to have a rope bridge in their low-budget, independent film? Imagine how much more exciting Richard Linklater‘s Slacker would have been with a rope bridge in it!
So, the lesson of this entire long-winded tale is this: if you have no budget, use the Rodriguez List method. Make a list of what you have and write with those things in mind. If you are a jackass like me and forget the advice of one of your filmmaking idols, then hope that you are friends with Rich. Then everything will be okay.
Regardless of your friendship level with the Rich, once you’ve gotten some locations worked out, don’t be afraid to post-Rodriguez your script, to make adjustments to accommodate unexpected production value that may fall into your lap. In this business, you’re either adaptive or you’re dead.
Well, not dead… but without a kick-ass rope bridge, that’s for sure!